Wired's Ted Greenwald interviews Ridley Scott about the upcoming re-release of Blade Runner.
Wired: Some of that ambiguity got squeezed out of the original version. It seems like you've been making up for it ever since.Here's my review of Blade Runner.
Scott:I read an article recently saying that one of the reasons the film has found an ongoing audience is that it was incomplete. That's absolute horseshit. The film was very specifically designed and is totally complete. In those days, there was more discussion than was welcome, as far as I'm concerned. [Screenwriter] Hampton Fancher, [producer] Michael Deeley, and I talked and talked and talked — every day for eight months. But at the end of the day, there's a lot of me in this script. That's what happens, because that's the kind of director I am. The single hardest thing is getting the bloody thing on paper. Once you've got it on paper, the doing is relatively straightforward.
Wired: It was never on paper that Deckard is a replicant.
Scott:It was, actually. That's the whole point of Gaff, the guy who makes origami and leaves little matchstick figures around. He doesn't like Deckard, and we don't really know why. If you take for granted for a moment that, let's say, Deckard is a Nexus 7, he probably has an unknown life span and therefore is starting to get awfully human. Gaff, at the very end, leaves an origami, which is a piece of silver paper you might find in a cigarette packet, and it's a unicorn. Now, the unicorn in Deckard's daydream tells me that Deckard wouldn't normally talk about such a thing to anyone. If Gaff knew about that, it's Gaff's message to say, "I've read your file, mate." That relates to Deckard's first speech to Rachael when he says, "That's not your imagination, that's Tyrell's niece's daydream." And he describes a little spider on a bush outside the window. The spider is an implanted piece of imagination. And therefore Deckard, too, has imagination and even history implanted in his head.